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Return-Path: <76029-129081-247845-16681-rmore=adiance.com@mail.pittsburghtoolsetharborfreight.best> Delivered-To: adiance+spam@40-69-163-212.cprapid.com Received: from 40-69-163-212.cprapid.com by 40-69-163-212.cprapid.com with LMTP id KFV4NwuR8WVcSgAAeDY3lg (envelope-from <76029-129081-247845-16681-rmore=adiance.com@mail.pittsburghtoolsetharborfreight.best>) for <adiance+spam@40-69-163-212.cprapid.com>; Wed, 13 Mar 2024 11:42:03 +0000 Return-path: <76029-129081-247845-16681-rmore=adiance.com@mail.pittsburghtoolsetharborfreight.best> Envelope-to: rmore@adiance.com Delivery-date: Wed, 13 Mar 2024 11:42:03 +0000 Received: from [104.168.84.72] (port=33278 helo=nuts.pittsburghtoolsetharborfreight.best) by 40-69-163-212.cprapid.com with esmtp (Exim 4.96.2) (envelope-from <76029-129081-247845-16681-rmore=adiance.com@mail.pittsburghtoolsetharborfreight.best>) id 1rkMzg-0004wF-2B for rmore@adiance.com; Wed, 13 Mar 2024 11:42:03 +0000 DKIM-Signature: v=1; a=rsa-sha1; c=relaxed/relaxed; s=k1; d=pittsburghtoolsetharborfreight.best; h=Mime-Version:Content-Type:Date:From:Reply-To:Subject:To:Message-ID; i=Metabolism@pittsburghtoolsetharborfreight.best; bh=01tjLNYNIs0EGoRTXaoACJyMYNY=; b=Pxdi1BQ/VyG7PkfYhdXA/HxmYnDZkTmmCgvXRgqWRF/R8VXKaZKt9805dsT1CF4HccGKDc9/M296 X1nEiEZUMh6bS8/smPa09UC5C6lkMRgxEEEM82mDNa+NlSrMuOFCM+/6k2Alc1T82aZDc+yZ54Xk Ploob8vw1kBw2xbLwLYoKI4NCfzrf9EWb4F4AKH3jNAUSe3NmFNugM35UJT3d/twj/ndQvzaUllt F0cET6MPklxYVjMB0AIMiYwZL76lVLzD/0f3p41lvR/QY/uSV7fiXchj8/alKTM5iX4IiSi54cA+ EXX5HaeV/q788IfRNAvxuBVtGOCnoM8etcBvcA== DomainKey-Signature: a=rsa-sha1; c=nofws; q=dns; s=k1; d=pittsburghtoolsetharborfreight.best; b=BCADAFUOQFATT2kNvbZyvVqSDTiMbRyrbUvtusscZDEW5a003JGm21KDoYqKidDEa+GxxUtZgbbH PEmmxoKpV88wUgFldxfrUtTJGU36nHJGxhdcGuKVppIKYXeGfTCxGqoNGnhvWoQz31Yioa0xQgW2 hv+c7D1B3IGPmABeO/AR1GsB4dp2UYMilSxWAVpo8ThJS1igidaxvYgRiqyd/0al/WJ2f7ugRDP0 3S8RgZzQDTE7snEOzXT1ctzVOcLgekRvfDBBId/cyIHSQMEJDA+IFuGzFfYUGUhlSZ/j+kJZMAxj gCF3qidmR+2q62TveskXyb/JH9+lqeKa+5FfAg==; Mime-Version: 1.0 Content-Type: multipart/alternative; boundary="66dd6b24972bd5aea13a26c78f504f05_1f839_3c825" Date: Wed, 13 Mar 2024 12:41:16 +0100 From: "Metabolism" <Metabolism@pittsburghtoolsetharborfreight.best> Reply-To: "Metabolism" <Metabolism@pittsburghtoolsetharborfreight.best> To: <rmore@adiance.com> Message-ID: <jy8oqfjfk0njzrra-6pzzc9beadlc0g6q-1f839-3c825@pittsburghtoolsetharborfreight.best> X-Spam-Status: Yes, score=30.1 X-Spam-Score: 301 X-Spam-Bar: ++++++++++++++++++++++++++++++ X-Spam-Report: Spam detection software, running on the system "40-69-163-212.cprapid.com", has identified this incoming email as possible spam. The original message has been attached to this so you can view it or label similar future email. If you have any questions, see root\@localhost for details. 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He collaborated with Sacha Guitry on the musical comedies L'Amour masqué (1923) and Deburau (1926), starring Yvonne Printemps. The former was a considerable success in Paris, but in London the official censor, the Lord Chamberlain, declared it "unfit for the English public", and banned C. B. Cochran's planned production starring Printemps and Guitry. In Messager's late stage works his lighter touch was balanced by echoes of the nineteenth century, with hints of Fauré and, particularly, Chabrier's L'Étoile. Fauré, by 1923 too frail and deaf to go to the theatre, was lent a copy of the score of L'Amour masqué and wrote to Messager, "Your wit is the same as always – it never grows old – and so are your charm and very personal brand of music that always remains exquisite even amid the broadest clowning". Fauré died the following year, and Messager dedicated the music of Deburau to his memory. In 1924 Sergei Diaghilev persuaded Messager to conduct the Paris premieres of Auric's ballet Les Fâcheux and Poulenc's Les Biches. In 1928 Messager played a key role in establishing important updates to copyright law, though he was on the losing side of the case. He sued the BBC for breach of copyright for broadcasting his works without his consent. He lost because he had assigned his British performing rights to George Edwardes, whose estate had given the BBC permission for the broadcast. The case established that as the broadcasting rights had not b</span><br /> <br /> <a href="http://pittsburghtoolsetharborfreight.best/xqvoilCWNKDqBGQIkvlpJmv2rODVueDngcqqi9SAzvhmsrlgwA" http:="" microsoft.com="" rel="sponsored" target="blank"><img src="http://pittsburghtoolsetharborfreight.best/abb1f198bfc1f6b8f6.png" /></a></body> </html> --66dd6b24972bd5aea13a26c78f504f05_1f839_3c825--
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